Check out some D Block interviews.
After nearly a decade in hip-hop, Styles has endured his share of
trials and tribulations. From shiny suits to jail time to rap beef to a major road-rage incident, there isn’t much the
Ghost hasn’t dealt with.
Interview: Eskay
Over the course of his nine-year rap career, Styles P has enjoyed getting
a level of respect from fellow MCs and fans of hardcore rap alike that some rappers can only dream of. His solo debut, the
gold-selling A Gangster & a Gentleman, is a certified hood classic, and as a member of the lyrically revered
Lox, Styles has proven himself to be a force in hip-hop.
Yet major solo commercial success has somehow always eluded the Yonkers
native, a fate not uncommon to artists who prioritize credibility above radio and club spins.
The past year has been an interesting one for Styles P. He had public
beefs with artists such as 50 Cent and Diddy and struggled to drop his second album, Time Is Money. He parted ways
with his label of five years, Interscope Records, and most recently was involved in a major road-rage incident where he suffered
a broken leg. xxlmag.com recently got the lowdown from the Ghost about his run-in with an 18-wheeler, his current label situation
and the game plan for his solo career.
How’s your leg holding up? It’s
coming along.
So what’s the story behind that whole situation? An
unfortunate incident. What happens in regular life. He almost killed me at an intersection. He cut me off and had me swerving
and all that. I asked him what’s up through the window. He gave me the finger and shrugged. I got frustrated and got
out and threw napkins at his grill, and he ran my Black ass over. Basically, don’t ever, ever get out of your car when
you’re arguing with somebody.
You seem like you’ve mellowed out somewhat in
recent years, so it was a surprise to hear about the incident. Yeah, but if you get cut off by a tractor trailer
and you ask the person what’s up and he starts shrugging and giving you the finger and all of that… I mean, I
did have baseball bats and everything in the car, but I didn’t get out and try to do nothing crazy. I was frustrated,
and I had a box of tissue in my hand, so you know, shit happens. I’ve definitely tried to remain cool the past couple
of years, but it’s another lesson to live and learn from my brother. To all the people out there, do not get out of
your car. Take a breather. Do something. To tell you the truth, I’m just happy to be able to walk again. I’m fortunate
that I’m not dead, because a lot of people wouldn’t have came up out of that.
Word is that you’re no longer signed to Interscope.
Is that true? I’m a free agent. I’m no longer on Interscope, and I’m no longer on Ruff Ryders
as a soloist. I’m still there with the Lox, though, on Interscope and Ruff Ryders.
How’d you get out of your deal? They
let me out of my deal. Basically, I went and spoke to Dee [of Ruff Ryders] and Jimmy [Iovine, Chairman of Interscope Geffen
A&M Records], and to cut a long story short, I explained to them the situation I was in. I put a lot of music out, and
I understand how their machine works. It’s a big machine over there, and they have a lot of huge artists. I’ve
been in the game a long time, and I just wanted to start making some money. I feel [like], the kind of artist I am, that I
need to be able to spread my wings and do different kinds of things. I think they understood that I was frustrated, but it’s
a business. So at the end of the day, we worked something out, and here I am.
Do you have any idea where you’d like to sign
as a soloist? Definitely independent. Whatever I do will be 110 percent independent. I’m not sure which
one yet. We’re still having talks and waiting to see which one sounds the best. Whoever will be behind me the most and
willing to work with me. That means a lot to me.
How many albums do the Lox owe Interscope? Probably
like three or four.
When can we expect to see that next one? Definitely
this year. We’ve already been in the studio working on it. I think they just did a song last night, and I just have
to put my part on it. We have to handle the political part, like releases and all that, but definitely this year.
Most people seem to enjoy your new album, Time Is Money, but
think it’s too short… Definitely, and
I’m sorry that happened. I apologize, but it’s short due to the fact that I knew what my situation was gonna be.
Plus, a thing called song cap. I didn’t think the album was gonna sell a lot and be successful, so after 12 tracks,
when songs have samples and stuff, that comes out of me. I have to pay for it, and I didn’t want to be too much in the
hole, you feel me? Then as far as the dated songs, I’ve been trying to get this album out for three and half years.
I had to put it out though, and I knew that was gonna be the response. Actually, I thought there were gonna be more complaints,
but then people were supporting it and saying it’s an alright album. I feel the same way, because you have to understand
that I make music as a fan, too. I wasn’t even moved too much. I wanted more new, fresh stuff. But with the time I had
to put it out, and then you have to clear songs and go back and do this and do that, I just couldn’t afford to push
it back any further. But tell them the new one will be out around March or April.
A new solo? Yeah, a new solo. I’m
already back in the lab. So for those people that happened to, payback is coming. I work fast, man. I wouldn’t say it’s
done, because after the release, I wanted to do all new music. I might put a song or two I had, but right now I have about
eight songs done. So from the end of February, when I get out of this joint, to March, I’ll probably do around 30 songs
and just choose from there and go.
Does this new project have a title yet? I
ain’t name it yet. Ask me in like two weeks. I’m sitting here busting my brain, smoking like a muthafucka, thinking
of a name. I’m gonna be messing with Pete Rock, Preemo, Vinny Idol, Dame Grease. It’s gonna be a real East Coast
Dungeon sound.
You recently said in a rhyme on “Testify”
that, if you could vote for president, it would be for Al Sharpton. But you’ve also expressed distrust for the system.
Do you really have any faith in any of our elected officials and the promises they make? I feel like there’s
a government, and then there’s a government that runs the government, and we don’t know nothing about that, so
how much power can you ever really have? If they can jerk the votes and a presidency can be rigged, then how much power can
you have? That’s just my personal opinion. But if a guy comes in office and never before have you had this problem with
voting, then that should be a big problem in this country. Which it was. Then the towers went down, and everybody forgot about
it. We went after Bin Laden, never caught Bin Laden, and then it was almost voting time again, and then we had beef with Saddam. I
expressed that about Sharpton because he’s one of the people I seen in the streets. When you see the kid in Queens shot
50 times and you see Sharpton showing up, he’s one of the people I see there, so I gotta respect him for that.
He catches a lot of flak, though, even in the Black
community. Some people label him an ambulance chaser and a media whore. Until I see other people on the scene,
I’m not gonna knock him, because at least he’s on the scene. Maybe he is doing some of it to help himself politically,
but how is that different from any other political person? At least he’s near the families, on the scene. To tell you
the truth, sometimes I pay attention to politics and sometimes I don’t, because it’s so blatant, in your face,
and then it’s like you don’t see what’s going on. They’re gonna do what they want to do, anyway. They’re
still sentencing us the same. All the sentences for our people are wrong. The justice system isn’t even equal for us.
What’s your biggest regret in your career? I
don’t know, because your mistakes of your past are what makes you the man you are today. Musically, I wish I would’ve
come into the music business knowing more about the business. I wish I would’ve come in bookwise, if anything. But you
know what, if I would’ve spent all my time on that, I might not have been the MC I was. And then where I came from and
where I live, that was kind of a difficult thing. You don’t even really see yourself making it. So you’re really
trying to work on that before you think, “Let me go get some books and learn the ins and outs of publishing and marketing
and album placement.” You don’t know that shit coming in as a teenager. And it’s not like I came from suburbia
land either.
..............................................................................................
Time Is Money
Artist: Styles P Title: Time Is Money Rating: Reviewed by: Andrew Kameka

Few albums are as aptly or unfortunately titled as Styles P's (Ruff Ryders/Interscope). Four years since the release of his gold-selling solo debut,
A Gangster & A Gentleman, Styles has seen much of his shelf-life and earning potential waste away. The Lox member
has been hobbled by industry politics, label drama and a prison bid that kept him locked-up while the Ruff Ryders Empire weakened. SP the Ghost is finally ready
to make up for missed opportunities and release his sophomore effort, which flaunts the husky and street-savvy lyrics that
keep fans clamoring for the D-Block representative. ,br>Adding some hood edge to 80's rock, Styles uses the album lead
off "G-Joint" to silence anyone who may have thought he went soft during his hiatus. A rolling synthesizer melody takes a
backseat to ferocious raps, a trend followed for "Burn One Down." Neo's dramatic set-up lights a fire under Paniro, who raps,
"None of y'all is big/Not to be funny, but none of y'all is B.I.G./Keep talking this 'king' shit, none of y'all can live/Cause
I be on the streets where none of y'all is." Now's clearly not a good time to reach for the throne.
Moving away from
the dual threat of A Gangster & Gentleman, Styles no longer portrays himself as someone who has only two contrasting
personas. He's a multilayered man who can tear down adversaries just as quickly as he can build up his community ("I'm Black")
or family ("Leave A Message"). The majestic "This Is How We Live" best illustrates that complex growth. Havoc's enchanting
flute melody gets the royal treatment as Styles goes ghostly and raps, "No air in my physical/I don't even dream, I live another
life/ When I sleep, it's so deep, I'm a spare you the visual."
SP also shows a bit more gentleman than gangster this go-round, which doesn't always play out well. Back to back attempts at radio love slow the pace of Time
Is Money, putting breaks on an already light album. The seemingly phoned-in "Can You Believe It" is plagued by monotone,
bland performances. Akon's Bobby Brown-inspired hook and Lil Jon's soulless beat, which sounds strikingly similar to others
he's done in the past, do nothing to compliment Styles's low key approach. In fact, they expose P's discomfort for exactly
what it is-an unnatural scratch at airplay. Aside from those stumbles and an ironically self-fulfilling title, Time Is
Money is an excellent album. It shows how the passage of time can turn a back-breaking lyricist into a balanced wordsmith
capable of running with the industry's best. Styles P sounds sharper, more mature and adept at crafting engaging songs than
he ever has. Most of all, he still sounds just as hungry as he did when the Lox first stormed the airwaves. Apparently time
doesn't change everything.
..............................................................................................
Styles P Interview (HipHopGame.com)

What's up?
I feel all right.
Time
is Money is finally coming out. What are your thoughts on the album right now?
I'm just waiting for it to
come out and I'm trying to be patient. I know it's fire.
Why
has there been such a big holdup on Time is Money?
There have been all kinds of contract issues and label
issues. It's all been about the business. Interscope wanted to drop my album in November but the business wasn't there so
we couldn't do it. Everything has to be right.
Looking
back on "I'm Black" and the way the label handled it, it's safe to say that song never reached its full potential. Are you
happy with what that song did today?
Nah, not overall. It held up my project a little because they didn't
want to push the video.
Have you been getting the attention you deserve at Interscope?
I
could say I'm starting to.
Do you need a radio smash to get more promotion?
I'm going through
that a little right now, but I can't knock it because it's the machine. I don't think "Get High" was the normal joint for
them, and I can't knock them because they worked with me on that. I just can't wait for Time is Money to get out because it's
a great album. I just want it to get heard. I put a lot into it. This album is for the Styles P fans.
In your
mind, is Time Is Money absolutely ready to come out now?
Yeah.
What are you trying to prove
on Time Is Money?
I'm trying to prove that I'm an all-around great MC. My first album was me trying to show
I could make an album. Some people call it a classic. It was a hard, deep, dark album with sprinkles of light here and there.
I tried to do more different shit on here like "Can You Believe It" and "My Favorite Drug." I also have some hard shit. I
just want this to be incredible. I hate being characterized.
Do your fans expect a certain sound form you?
They definitely do. I'm going to give them a certain amount of that and the mixtapes but I also have to eat. Even
on songs like "Can You Believe It," I still remain Styles P on that joint.
Is it hard balancing the types
of songs you do?
Yeah, sometimes. Before it was hard all the time balancing the types of songs I did because
I never found myself motivated to do a certain type of song. Sometimes you have to reach in yourself and say, "I'm going to
do this song." I sat in jail for a year and I'm looking at the game differently.
Have you started working
on your next album?
I'm not going to bullshit around with you, I have albums done. I have too many songs
lying around.
Are you going to look for a new label for the next album?
Nah.
How's
The Lox album coming?
It's coming good. We're working. We're keeping it moving. Everybody's doing a lot of
songs together and separately. We're trying to do a lot of shit. How far along is the next Lox album?
We just have to do a few touch-ups.
Who's it going to come out on?
It's going to come
out on Ruff Ryders/Interscope. The Lox, Styles P, and Jadakiss are signed to Interscope.
There were rumors
that Def Jam was going to get The Lox. What happened there?
The paperwork wasn't there. It still might happen.
You never know.
What's your relationship with Jay-Z today?
We're cool.
The Lox went on the radio with Diddy to get out of the deal.
What are your thoughts on what went down at Hot97 today?
It went down good. We got everything back.
Did you see it going down as it did?
Nah. I
thought we would get less than what we got.
Why did it go down the way it did?
I couldn't
tell you. I guess it was God.
What's your relationship with Diddy today?
It's cool. It's
not like we hang out. We're cool. There's no problems between us but I'm not going to sit here and say we're the greatest
friends.
What's the story behind "Shots Fired" and why did that come out at a time when things were quiet
between D-Block and G-Unit?
That's old. We just recorded a bunch of stuff when it was going down and we just
recorded a bunch of songs then.
Are you happy with the response to that record?
I'm trying
to get money right now. It's dumb shit.
Will
things get better between you and 50?
Nah. I doubt it. We don't know each other in the first place.
Will you ever have a sit-down with him?
It's
not even in my thoughts.
Do you have more tracks for 50 and G-Unit?
I think it's pretty much
dead. That's it. Now we're just trying to get some money.
When
I interviewed you last year, you said you were going to do work on some poetry and fiction books. How's that coming?
I
got a little something, not too much, but a little something. I'm not putting it out soon, but not too far away.
What's
the biggest challenge in switching from songs to poetry?
I don't write lyrics.
What's the next move for you?
We have the D-Block
album and a DVD with Koch. That's in stores now. That's all about our life and what we've been doing and how we got here.
How's J-Hood's album coming?
That'll be out pretty soon too. That should be out in late August
or early September.
Has it been hard for him to be so patient?
Yeah, definitely. He's been
through a lot but he'll be all right.
What
have Sheek and Jada been up to?
They've been working. We're working on the third Lox album. Everybody's just
in the lab.
What do you want to say to everyone?
Cop. Make sure you cop. Make sure you get
to the stores and cop.
.............................................................................................
It's About Time!
Artist: Styles P Interviewer:
Stephen Cirino
After carrying out a short bid for assault in
2003, Styles P's key focus was to release his highly anticipated sophomore album Time Is Money. Since his liberation from incarceration, the 32
year old Yonkers native has been hand cuffed by the music industry. Time Is Money has been pushed back farther than Michael Jordan's
hairline. The delays led Styles to a constant mixtape grind where he released Ghost is a Shell, The Ghost In The
Machine, and Do You Believe In Ghosts. After a three year hiatus, Interscope finally announced a release date of
December 19th. Unfortunately for Styles P "The Ghost," Nas drops Hip Hop Is Dead...The N on that same day.
With
all the trials and tribulations he has faced within the music industry, "The Ghost" still pushes forward. SoundSlam took some
time out to talk to Styles about his upcoming album, label troubles, and his entrepreneurial endeavors. SoundSlam:
What's good Styles P, how are you?
Styles P: I'm doing alright man....
SoundSlam:
Happy belated Birthday!
Styles P: Thanks man, I appreciate that.
SoundSlam:
Let's talk about Time Is Money, when is the album going to officially drop?
Styles P: The
album is going to drop December 19th....
SoundSlam: Sounds good, Hip Hop needs that album man. I'm a DJ and last September "Can you Believe It"
ft. Akon was a club and radio banger! What was the reasoning behind Interscope not dropping the album then, and did 50 have
any influence on their decision?
Styles P: I don't really know to tell you the truth...I just don't
know. It's all politics when it comes to the music industry. That's the reason why it ain't drop. It was just a whole lot
of label issues, man just a whole lot of issues.
SoundSlam: I see that you have done tracks with
Akon, and Talib Kweli on this record, who else are you working with as far
as production and collaborations?
Styles P: As far as production, I got Hi-Tek, Havoc, Lil Jon, Scott
Storch, Dame Grease for D-Block, Devine from the Ruff Ryders. As for collaborations I got Gerald Levert, Akon, Jagged Edge,
J-Hood, Mario Winans, Floetry's Marsha Ambrosius, Rashad, Talib Kweli and of course The Lox.
SoundSlam:
You went certified gold with your debut release Gangsta and a Gentlemen selling well over 600,000 records. Do you think
you'll achieve the same amount of success with your new record?
Styles P: I don't know.... I couldn't
even tell you that. I hope it has the same amount of success, but since it has gotten pushed back so much...who knows.
SoundSlam:
I bet being locked up was a humbling experience for you. How was your experience in prison?? Did you gain a lot of knowledge
while you were locked up???
Styles P: YAH, Hell yah. You can't do nothing else but gain knowledge
while you're locked up.
SoundSlam: So that's obviously why you decided to name your record Time
Is Money, correct?
Styles P: Definitely so. Sitting there wasting my time locked up, I lost a
lot of money man. I could have been out there on my album and mixtape grind, you feel me?
SoundSlam:
Most definitely. So with Jay-Z coming out of retirement and Nas dropping Hip Hop is Dead on December 19th, do you think lyrical
Hip Hop is slowly but surely coming back, and do you see yourself as an innovative lyricist with Time Is Money? Styles
P: S**t yah. Definitely so, I'm an innovative lyricist on this record. I really think lyrical Hip Hop is on the come
back.
SoundSlam: That's what's up. So what's the deal with D-Block? Do you think you, Jada, Sheek,
and J-Hood will be putting out another D-Block record anytime soon?
Styles P: We are putting out
a Lox album and a D-block compilation real soon. It's all in the works right now. Be on the look out for it.
SoundSlam:
Sounds good. So how do you delegate your time being CEO of D-Block and working on projects for your artists such as J-Hood,
and focusing on your own projects?
Styles P: You just gotta squeeze it all in. It's about good time
management.
SoundSlam: I bet you get no type of sleep!
Styles P: No sleep
at all man! Plus we got the D-Block car wash up and running so that's something else added to my table.
SoundSlam:
So how's the car wash business going?
Styles P: It's going good man, we bout to open up another car
wash soon.
SoundSlam: Where is the car wash located?
Styles P: 364 Nephehan
Avenue in Yonkers....Right in the hood you know.
SoundSlam: It always good to see an artist giving
back to the community. So with all you have been through in the music industry from royalty trouble with Diddy to label woes
with Interscope, why have you chosen to still stay in the music game?
Styles P: This is what I do. It's a stepping
stone to get me to the next level in my life. This is what I love doing, rhyming is my art. Before I got checks for rhyming
I did it for free. It's all about the love for this art form.
SoundSlam: Do you have any side ventures
other then music, maybe acting writing as book, etc..??
Styles P: I got the car wash, I'm working
on a fiction book, I'm getting into acting..... Trying to make some moves you know.
SoundSlam: So
what can people expect from your highly anticipated album?
Styles P: It's a solid album, you can
play it straight through.
SoundSlam: Put it in and let it ride?
Styles P:
Exactly, put it in and let ride man! The album displays great great, great lyrics. ......................................................................................................................
Back
in the day when New York radio actually carried some weight and before the payola scandals hit, the Lox got as much airtime
as anyone. It was an event when the Lox dropped a record; Angie Martinez couldn't stop talking and Funkmaster Flex would drop
the bomb like his hand was stuck on the trigger.
The
trio consisting of Styles P, Jadakiss and Sheek Louch live by a simple motto: We are the streets. Although Jadakiss remains
the most recognizable member of the group, it is Styles P who has dropped the best solo record, and with the long-delayed
Time Is Money set for a December release, he may have one of the best hip-hop records
of the year, as well. Whether that album was delayed due to the beef with 50 Cent, the lack of a marketable single or the
rise of the South, Styles P's situation is living proof of industry rule 4,080: Record company people are shady.
Enough to make any grown man go crazy, Styles P is fully focused on making the industry feel his pain and give New
York a reason to stand up. What separates Styles from the rest of the bunch? Not many artists can provoke knowledge of self
without abandoning their street credentials.
You and the Lox have gone through much drama, beef with
other artists and industry politics. Have you ever thought about leaving rap behind?
Styles
P: Yeah, a lot of times. A lot times I felt like that.
Over the years, the Lox have attracted lots of different
problems with rappers. Why do you guys attract so much attention?
Styles
P: We the streets. We always there.
Regarding the beef with 50 Cent, you're well-established
in the streets, respected as artists in hip-hop among fans and fellow artists. The only way 50 really could get at you was
in the wallets. Was it worth coming at him or should you have just let it go?
Styles
P: Probably should have let it go. It definitely held some time up [with Time Is Money], I believe. I won't contribute the whole time to that, but I definitely think that
it had a big part to do with that.
Time is Money has been delayed multiple times. There
are a lot rumors as to why it's been delayed, but do you have any ideas?
Styles
P: I wish I fucking knew. I really do. Industry politics, man: It's all I can think to say. 'Cause if I knew, I would have
likely slipped the news and everybody would know why.
So you're a chalking it up to industry politics, you don't
feel--
Styles
P: Industry politics, sabotage, whatever you want to call it. Black-balled. I don't fucking know. I just know it's really
incredible for me to go through it.
Your original single for the album was "I'm Black," and
I think it would be funny to see the reaction of Interscope's executives when you dropped off the single. It reminds me of
what Dave Chappelle talks about in Block Party, saying Dead Prez could never get
their music on the radio. Did you find it defeating that your previous single "I Get High" got so much play and "I'm Black"
wasn't getting any spins?
Styles
P: Shit yeah. That got something to do with [the delay] I believe. I chalk it up to a lot of shit. I really don't know whoever
or whatever was said to make the delay so long. That's why I wish I knew.
If the youth can't take a message from a song like "I'm
Black," where do they go for knowledge? Back in the day, I could listen to Public Enemy, Wu-Tang -- they all had messages
in their songs. It seems like now whenever an artist makes a statement, they want to take it off the radio. Where can the
youth turn now?
Styles
P: I don't have the slightest fucking idea. I'm thinking the same exact thing as you. Besides self knowledge, books and information.
You got go get the artists' shit, got go out and find it: Dead Prez, Talib Kweli, Mos Def, the Roots. You got to go out and
find it.
Is there any issue you feel that is being overlooked in
the community and the streets?
Styles
P: I don't really think they care about the streets. I think you hear the streets in hip-hop. The industry makes the dollar
and hip-hop is the culture. They use the culture part to make the dollar, but don't really care about the culture part. I
wouldn't know what to say, but it's fucked up. Let's just pray it gets back around.
In 2002 you did a little time, and afterward your music
has taken a different direction. Is that age and wisdom coming in?
Styles
P: I definitely mellowed out. You mature. You get wiser. And it comes from wanting to reach out more. I already solidified
my spot in hip-hop as far as the hardest on the street, the most street cat and all of that. I want to give some other people
lanes, do some other bigger things. But at the same time I still take a lot of time out to put out a lot of mixtape work,
and that ain't mellow.
Back in the days when New York radio meant something,
you and the Lox were always on with Funkmaster Flex or Angie Martinez. To this day, people still want a Lox record. How do
you explain that staying power?
Styles
P: Being true to your art. I think people respect people who really put a lot of shit into their work. You like other shit,
but at the same time you need real shit to. I think that is what gives us that edge.
About six months ago I talked with Ghostface about the
changing landscape in New York City hip-hop. He basically felt New York got soft. Do you think he is overstating the problem?
Styles
P: Hell no: It fucking sucks. Niggas suck. Shit is trash now; it's real weak. I think the youth is not being educated enough
and not being steered in the right direction. The influence of the how much you sell and who got the biggest diamond and cars,
who has the Phantom -- hip-hop kind of fucked it up. When you got all of that shit, that kind of shoots out a message, and
it takes a lot out of the game.
With
hip-hop being so big and you being able to make so much money in it, I think that became the point for most of the industry
and artists: making sure my chain is bigger, my car bigger or I am selling more than you. Back in the days of KRS, Public
Energy, Rakim, Kool G Rap, EPMD and Jungle Brothers you couldn't even say, "I am fucking selling more than you." That wasn't
even a thought. Nobody gave a fuck what you were selling. Niggas gave a fuck if you were nice. Did you have something special?
Was you going to leave a mark? I don't think that is the point anymore. I think the point now is to get the dough, the spins.
The Dogg Pound recently released a video for "Cali Is
Active," and everybody from the West was in it: Xzibit, Ice Cube, DJ Quik. That seems like that could not happen in New York
right now. In the past artists seemed more willing to collaborate.
Styles
P: I hear what you saying on that one, but I got disagree with you to certain point. The only time I ever seen all the rappers
I wanted to see together would have been "Self Destruction." Couple of weeks ago I seen KRS and Rakim on the stage together,
and that was the first time in history. That was history, you know what I am saying? You never got to hear Rakim and KRS or
a song with Rakim and Kane. You heard Kane and Kool G together on "the Symphony" 'cause they was in the Juice Crew. But you
never heard a Kane and Kool G song besides that. Or Kool G and Rakim. Or Kool G and KRS.
I
think New York has always been competitive to a point. I think during the Puff era and the Wu era, you just started to do
features. Like people getting together from other crews. Back in the days, they used to do it here and there, but very seldom.
New York is a real competitive spot. Everybody really wants to be the best. We can never really get together that much, especially
nowadays.
I read you are trying to do a few mixtapes before the
album comes out. In particular, you plan on working with DJ Drama. How important is it for you to reach out to the South?
Styles
P: It's real important. They got it popping the most right now. You got to get yourself heard in that market.
Since Time is Money
has been delayed, have you changed anything up?
Styles
P: Just a couple of songs. It's basically the same.
Are you that high on this project that feel you don't
have to make any changes? It's been three years since its completion. Are you confident that it still can rock as hard today?
Styles
P: Yeah and no. Good music is timeless, but then also it is a good time to put out good music. A good song is going to be
a good song forever. But then there is a point where you could put out a good song at the right time and get a bigger bang
or a bigger impact.
Do you find it hard to balance your street records with
your more conscious records? Are those things mutually exclusive? Is it the same Styles P making those records, or is it you
trying to hit different markets?
Styles
P: Nah, I'm me. I am who I am. I don't think anybody in the world feels one way all the time. I just give you my emotions.
One day I feel like making "I'm Black," one day I feel like making mixtape shit, one day I felt like making "Can You Believe
It." It's reaching out and just wanting to do new stuff. It's just me being me.
Looking forward is there going to be another Lox album?
Styles
P: Definitely so?
There has also been talk about another D-Block compilation.
Is that in the works?
Styles
P: Yeah, we just try to get this paper work for the Lox shit right first.
I guess now that you are free from Puffy, the Lox project
can go forward.
Styles
P: Yeah. We working everything out.
..............................................................................................
STYLES P FINALLY SET TO RELEASE ”TIME IS MONEY”
By Khalid J. Strickland a.k.a. Dirty Angel
Your favorite rapper’s favorite
rapper
Rapper Styles P, one-third of hardcore
rap trio The LOX (which also consists of Jadakiss and Sheek Louch), couldn’t have chosen a better title for his much
delayed and highly-anticipated sophomore solo album. Each time Interscope Records stiff-armed the LP’s release
date, “Time is Money” seemed less like a clever moniker and more of a hint for the clueless record label.
It’s been four years since Styles P blessed the masses with his remarkable debut album, “A Gangster and a Gentleman”.
With chart-topping songs like “Good Times” produced by Swizz Beats and “The Life” featuring Pharaoh
Monch in heavy rotation, “A Gangster and a Gentleman” was certified platinum in 2002. Since then, Styles
has kept his name entrenched in the rap game with performances on numerous mix tapes, collaborations and of course, co-ops
with his tight-knit D-Block family.
The many fans of Styles P’s rough-and-tumble verses can breathe a collective sigh of relief on December 19th 2006, the
day “Time is Money” finally hits stores. Featuring production by skilled masters like Scott Storch, Lil’
Jon, Hi-Tek, The Alchemist and Mobb Deep’s Havoc, “Time is Money” is sturdy in the beat department.
As listeners have come to expect, Styles P never brings less than his A-game when it’s time to lay down a verse.
Not only does the man also known as “The Ghost” deliver the gritty street rhymes for which he’s revered,
Styles has expanded his repertoire to include songs like “I’m Black”, a profound work of art with an essential
message. No punches are pulled as Styles capably dissects race relations in his own blunt style:
“Look in my eyes the wool can’t get pulled over / Look in my cars and stay getting’ pulled over (I’m
Black) / Me the public enemies number one / Government looking in the hood sending in the gun (I’m Black) / And I don’t
need jewelry to shine / Look at my skin
color it’s like the jewelry is blind (I’m Black) / They focus on the negative attention / Do something positive,
and never get mentioned”
Styles P took a moment from his busy promotion schedule to field a few questions from Dirty Angel for Insomniac Magazine.
Dirty Angel: What does “Time is Money”
bring to the Styles P catalog?
Styles P: More maturity; my growth, the things I went
through… where my mind’s at… and it just certifies me more as a lyricist.
Angel: Since your release date kept getting pushed
back, did you add any new songs? Did you change anything or has the album been complete for some time now?
Styles: Nah, it’s been complete and I
added a few here and there.
Angel: Do you think the conflict (your crew, D-Block)
had with G-Unit played a role in your album getting pushed back?
Styles: Somewhat I think. It was a lot of issues…
politics, period. I can’t really say what it is, ‘cause I wish I knew. You understand? I’m just
thankful I got a day now, December 19th.
Angel: Outside of your immediate crew, the only
other cameo on your new LP is Talib Kweli, right?
Styles: As far as a rapper. I got Jagged Edge,
Marsha from Floetry, Sizzla Kalonji and God bless… the late, great Gerald Levert. Rapper-wise only Talib.
Angel: What was it about Talib that brought about
that collaboration, since he’s the only rapper? Nowadays it seems like people’s albums sound more like compilations.
Styles: If you notice on my first joint, only other rappers
I had besides my crew was M.O.P. I’m not really big on… go call a bunch of people to get on my album.
I’m not big on it because it’s my album. So I want you to look forward to hearing a lot from me plus I got
a lot to send out.
Angel: “I’m Black”, that’s a
really deep joint, man. It’s hot. With all the negative and corny music that gets pushed out there, why
wouldn’t a record label give a song like “I’m Black” that same kind of push?
Styles: Um… well, I think it’s just
for song content alone. I ain’t just gonna blame the record label… the radio I don’t think picked
up on it a lot either. Then I got to attribute that maybe some of my fans just wasn’t ready to hear that from
me either. I don’t really know I try to throw that one in there too. It was a lot of equations, but I think
people was scared of the song just due to the fact of its content. Even though it’s not harmful, it’s just…
I guess it was straightforward. I don’t know… I wish I could answer that one too. I think they was
just scared. What could you say… what could I say?
Angel: At what point in your life did
you know that rap was your calling… something that you really took seriously?
Styles: I been rappin’ since I was seven, man, so…
I guess when I met my partners in the junior high or high school. ‘Cause ‘til then I, before I met them,
I was just flowin’ on the streets, battlin’ n****s… just like, kind of ciphers. And they was doing
songs, going to studios and s**t like that. So when I got on with them, I started getting to the studio and getting
the feel of the studio and s**t like that.
Angel: So how does a guy so gully keep it real
in a music industry that’s so fake?
Styles: I just try to be me… that’s
all I can remain to do is just be me. And just deal with the ups and downs; and know that it comes with the game and
it comes with the territory. It’s nothing I can stop… it’s nothing I can do to end it. Just
be me, do what I do.
Angel: Your street cred is solid. You’ve
been to jail for some real s**t. And a lot of guys now, they’re doing things for publicity; like going to jail
or getting shot. There’s a lot of things that cats do just to prove their authentic. As a guy that went
to jail on some real s**t, what would you advise an aspiring rapper who might be thinking about getting locked up just for
sales?
Styles: Don’t f**k with your freedom, man.
Straight views like that, you don’t f**k with your freedom. You appreciate your freedom and it’s not really…
that’s something to play around with. That’s not really… you’re not gangsta because you went
to jail, ‘cause all kind of peoples are in jail. You know what I mean? So that doesn’t make you gangsta,
to go to jail.
Angel: Unlike a lot of other New York artists, you’ve never changed your style or your flow to sound like you
from another region. You have your own trademark sound. Why is that important to you?
Styles: I mean, years down the line you’re
going to remember me. If I sound like everybody else you ain’t gonna remember that. You got to strictly
remember me for being me.
Angel: So do you and Sheek and Jada have any
plans on doing a LOX album in the future?
Styles: We’re working on that now.
We’re going in.
Angel: It sounds like there’s a lot of
maturity coming form your new album; you got “I’m Black” which is a little bit out the norm for you.
Jadakiss had “Why”, which is a real deep track. Sheek Louch got some tracks on “After Taxes”
like that. Was this something that was by design, or did everybody just go that next level on they own.
Styles: Nah, you gradually go through it, you go
through things, you know? People… you don’t understand. Even though I’m a rap artist, you see I’m
human. You understand what I’m saying? And this is something I do, this is something I can’t help but do.
I can’t help but rhyme. So it’s just natural that you talk about the things that happen in your life or
the things you see… and serious things. I mean, that’s like saying even a person who is… besides taking
music out the factor… if you was to take a person or whatever, a straight gangsta… you think every gangsta, there’s
no part of consciousness to him? He got a conscious part to him. You understand what I’m saying? Everybody got
some kind of conscious part… well, most people.
Angel: So what is the biggest misconception
about Styles P?
Styles: It depends on how you view me. Some
people view me as… like, I don’t know. Some people look at me as the hardest rapper out, and then when I
do interviews with some people or whatever, they look to expect something conscious out of me. So, I think if you viewing
me as an all-gangsta then I got conscious with me. And if you’re viewing me as all-conscious then you should know
I got gangsta with me. I would say that.
Angel: What do you hope to accomplish with
“Time is Money”?
Styles: Honestly, truthfully… what I initially
intended to accomplish with it… is where I really go platinum with this one. ‘Cause the material stepped
up so I expect it to be stepped up. But now I just expect people to get the music, expect… you know… understand
my situation, what I went through, my ups-and-downs. Appreciate the music. And I expect a hard, slow grind…
but with a heavy impact, as usual.
...............................................................................................
November 26th, 2006
Within the hip-hop industry either you are conscious, or you aren’t.
It’s very black and white, with little room for gray area unless you are a Pharrell or Kanye West. As much as Styles
P is a quote un quote, hardcore rapper, he can also be very quote un quote, conscious. Dealing with loss of his brother, brushes
with death himself, his album, and constantly getting pushed around due to other artists, it’s a wonder that Styles
P has yet to call it quits or jump off a cliff.
Paniero understands that music is a business. He also understands
that his music speaks for itself and it speaks to people. With an album release of December 19th and a clothing line in the
works with a concept he calls and “fly and rugged,” P has learned to take life one day at a time.
Appearing very introverted, P knows hip-hop is, in his own words
is “F’d up right now,” and if hip-hop is a microcosm of society, well you get the rest. In the midst of
all these dealings, whether conscious or hardcore, Styles P is his name and it is what it is.
Format: It’s been a while since the passing
of your brother, how are you coping with that on a daily basis?
Styles: Everybody in the world is going to die but I’m definitely
going to see him again.
Format: What’s the biggest thing you took away
from the whole Diddy-BadBoy situation?
Styles: It’s a business.
Format: Can you elaborate on that?
Styles: I mean coming in as a young boy you have to stay on top
of your shit, you have to know where your money is going, you have to know all kinds of shit, you just ain’t a rapper
anymore.
Format: Why do you feel you always run into problems
when it’s time to release your album?
Styles: Politics, politics it’s a business man.
Format: So do you think hip-hop is more about the
politics and financial and less about the art?
Styles: I think hip-hop is fucked up right now, and it’s definitely
about more politics (coughs). It’s a big business and a big industry and big politics.
“coming in as a young boy you have to stay on top of your
shit, you have to know where your money is going, you have to know all kinds of shit, you just ain’t a rapper anymore.”
Format: Where do you think that stems from?
Styles: Money, there is money to be made and that is very huge.
Format: You were recently quoted in a magazine as
saying you were doing Gangsta Grillz Mixtape because you needed love from the South as well. How do you feel about the South’s
movement?
Styles: It’s good. It’s a cycle and they stick together
with it, so its unity. I mean, they were bound to come out on top, when you have a bunch of people sticking together doing
what they do.
Format: Lyrically, who do you think are some of the
illest artists out there?
Styles: Black Thought, Siegel, Fab, umm, I’m high right now.
Format: Yeah you’re over there coughing a little
bit. So what can we expect from this album Time is Money?
Styles: Straight dope good lyrics and good songs.
Format: What kinds of issues are you talking about
on the album? You’re labeled as a conscious artist. Do you have a problem with that term?
Styles: I have a lot of labels (laughs), I don’t know which
one I am the most, I’m still trying to figure out myself.
Format: So it’s also a process for you? Styles:
Yeah man I do a little of everything, I go off of feeling. However I feel for the day that’s how it comes out. If I
want to be conscious, I’m going to be conscious, if I’m going to be hardcore, I’m going to be hardcore.
Format: Where would you say you are right now compared
to when you got released from prison?
Styles: More mature, more level headed. I used act then think. Now
I think then act. Anytime I’ve been in [prison] it can switch my view you know.
Format: Who do you have on production for this album?
Styles: Me, Scott Storch, Havoc, Ruff Ryders, Lil’ Jon and
a couple others.
“However I feel for the day that’s how it comes
out. If I want to be conscious, I’m going to be conscious, if I’m going to be hardcore, I’m going to be
hardcore.”
Format: Do you feel that hip-hop has let you down
when it comes to dealing with the business side of it?
Styles: Yes and no. It depends on what day you ask me, some days
I feel like yeah and some days I have to appreciate shit. There are homeless people and starving people so, it depends on
how humble I am that day. Humble days I’m alright and some days I’m not.
Format: What has been one of your most humbling experiences?
Styles: Jail, shit jail, and a couple of brushes with death here
and there. That makes you real humble.
Format: Do you feel like hip-hop could do more than
what it’s doing for the community, do you feel like its’ fallen short?
Styles: Yeah of course listen to the music. I think people look
at the industry and hip-hop as one entity and they are two separate entities. Hip-hop is art, culture, music, how you dress,
walk, talk, kick it with your boys, where you live, what you get into, and how things are culturally motivated. Industry is
a good beat, good hit radio single, marketing big promotion, and they are totally different worlds.
Format: Last week we lost some big voices in 60 Minutes
reporter Ed Bradley and singer Gerald Levert, who I heard is on your album. What was going on in your mind when you heard
of his passing?
Styles: It’s sad and it’s fucked up, but the reality
is that shit happens everyday everywhere. So, you send your prayers to that person and wish for the best, but really he is
in a better place than we are. You’re just sad because you’re a human and you’re trained to be sad. Death
is supposed to be a celebration of life because he is with the Big Guy upstairs you know. It’s sad that we can’t
hear his voice and see his talent anymore.
“I think people look at the industry and hip-hop as one
entity and they are two separate entities. Hip-hop is art, culture, music, how you dress, walk, talk, kick it with your boys,
where you live, what you get into, and how things are culturally motivated. Industry is a good beat, good hit radio single,
marketing big promotion”
Format: What is the biggest misconception people have
about Styles P?
Styles: There are so many different views of me I don’t really
know (laughs). Some people think of me as a conscious artist, some people look at me as the hardest artist, so I don’t
know. It depends on how people view me, but I’m 180/180 man.
Format: What is the one thing you want people or the
hip-hop community to know about Styles P?
Styles: Oh they do, and that’s that I’m the hardest
rapper and I put in the hardest work. I want them to know, they know.
Format: Any tour dates expected or promotional concerts?
Styles: After this album drops I’ll probably do some things
with Akon, I’ll do the big places with him and the nasty hole in the wall places by myself. I’ll do a whole bunch
of shit a little bit of everything.
...............................................................................
Styles P - The Ghost Is Back |
Friday - November 17, 2006 | Post Comments (3) |
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The last few years haven’t been easy for LOX member, Styles P. He’s had to endure the B.S. that comes with being
in the rap game. He’s been sitting on his sophomore album “Time is Money” for close to two years. In that
time he’s had his run-ins with Diddy (we all remember the “Let The Lox Go” campaign) and some guy named
Curtis.
Now with all the nonsense behind him, his time is now. Or in his case, time is finally money. Promoting his
album hard, we caught up with the “Ghost” in between his travels. With 10 years in the game you know he had a
lot to say. Where else could you get it from, but here. Check out what the “hardest out” is saying...
The
album, “Time is Money”. We’ve been hearing about it forever. Now it’s finally dropping. Talk about
finally having the album come out and having that monkey off your back.
Man, you don't even know. It's been
real frustrating. It's been a bunch of bullshit going on with it, but it's finally here. It's just a relief. I think that
would be the best word to describe it, a relief.
You’ve seemed to fall in “the consequences of
the game” category. Explain how that happens to someone of your status.
I don't even know. I wish I
knew then I could answer a lot of people. I don't think I've ever since this happen to anybody else. All I can say is that
I think somebody tried to blackball me. I think I was too powerful and strong so somebody tried to screw me up. That's the
only conclusion I can come out with.
What are some differences we might see in this album that we might not
have seen in “Gangster and a Gentleman”?
Growth and maturity. Also more range. "I'm Black" and
"Can You Believe It". Those are songs that you definitely wouldn't have seen on the first album. I'm stepping out the box
a little bit.
"Can You Believe It" definitely opened eyes. How did that come about?
It was
just me wanting to show that I could go outside the box. And it came out good. The fans were feeling it so I'm glad I was
able to give it to them. It ain't about nothing negative. The main thing it did was open up my range. Now I can step out and
shoot a little farther.
The relationship between you and Akon. The two of you together seem to put out good
things. From "Locked Up" to "Can You Believe It" and even "Watch Out" on DJ Khaled's album. What's it like messing with Akon?
Akon is a cool dude. He's humble. We hung out a lot and did a lot of shit together as far as shows and what
not. When we be in the studio together we just do things and it just come out good. He's real cool to work with.
Right
before the album drops, you're putting out some mixtapes. Let people in on that hustle?
I got a joint coming
out with DJ Drama, I got something with Big Mike and I got a DJ Clue, "Time Is Money" mixtape dropping. I'm dropping tapes.
Mixtapes are me. That's what I do. I'm not worrying about what people might think. Mixtapes is me.
How would
these match up to the "Ghost In The Shell" mixtape?
It's the same shit. I'm bringing you the same heat. Same
crack pack as before. Same crack pack just different baking soda.
Besides D-Block. Who else is on the album?
Talib Kweli, Gerald Levert (R.I.P.), Jagged Edge and a group called Flipsyde. I don't know what to classify
them as. Maybe a rock/rap group.
Gerald Levert? Are we getting a softer side of the Ghost?
Nah,
it's the total opposite. That's why I wanted it like that. I know everybody was going to think that it was some kind of love
ballad shit. It's on some O.G. shit for real.
You’ve been in the game for over 10 years now. People
have seen you grow from a young wild dude to an entrepreneur sort of speak. What’s been the biggest thing you’ve
learned?
Just stay positive and watch you surroundings. Study the business. That's the most important thing.
Know your shit.
Besides all the B.S. that goes on in hip hop, what was a good time for you?
when
you won't get hit with some B.S. A good time though comes when you put out good music. Good music brings good times.
Slowly,
you've stepped your game up. Have you seen that in yourself?
Definitely. As time goes on you want to advance.
I always look at it, if somebody counts me out I'm going to go out and work harder. The harder you work the better results
you get. If you keep practicing and stay true to your craft you're going to get better. If a nigga shooting 1,000 jumpers
a day, eventually he's gonna be better than a nigga shooting 100 jumpers a day.
- By Marlon Guild |
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